1) applying rotation to a line of control points: creating an undulating pattern that becomes more pronounced/disturbing to the smooth surface
2) rotation of hull in the perpendicular direction: mountainous texture that reminds me of the construction of topography along a smooth field
3) creating the grid, and manipulating the rows by offsetting each row by one piece and staggering their positions
4) manipulating the alternate rows in the perpendicular direction again, and rotating them to create yet a larger undulating pattern across the whole piece
a view of the surface as completed (refined rendering to come):
Interesting. Intense compression forms start from two sides and meet in the diagonal zone in the middle, where mild and stretched forms happen.
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